> How can 21st century Shamanistic and Psychedelic practices adapt to technological change and cultural hybridity, while also staying connected to the ancestral traditions from which they draw their power?
> To what extent can ritual stagecraft, Shamanistic performance, and technological intervention combine to produce psychedelic-style altered states of consciousness through aesthetic (non-pharmacological) means?
> What affordances can Neuroscientific theories (such as Retinotopy and Grid Cells) bring when used as tools in the process of creating immersive art?
> Can creative implementations of technology enable an immersive art installation to produce all the electric energy it requires to operate, independently of commercial electric infrastructure?
